
Shane Alexander donates proceeds from his new song “Look Out For Me” to Darkness to Light – an organization to help prevent child sexual abuse.
(New York NY May 27 2011) LA based singer/songwriter/guitarist Shane Alexander is paying it forward. He has written his latest song “Look Out For Me” to help the charity Darkness to Light, whose ultimate mission is to end childhood sexual abuse through education and awareness. CEO of Darkness to Light Anne Lee says, “Shane Alexander’s “Look Out for Me” is a beautiful, melodic reminder that our children need us and depend on us to protect their only childhood.”
Possessing a singularly evocative voice, Shane Alexander writes songs that Performing Songwriter Magazine has called “stunning,” and The Los Angeles Times described as “beautiful.” Shane has opened multiple US tours for Jewel and Seal and performed in Europe with Bon Iver and Suzanne Vega, among many others. Since his debut in 2005, he has released 4 solo albums, including his latest effort Mono Solo, on his own BuddhaLand Records imprint. No stranger to the road, he tours the US and Europe constantly. This fiercely independent artist has amassed a global fanbase and has nearly one million plays on MySpace to prove it. His popularity has been driven in part by over 50 television and film placements, including the season finale of MTV’s highly rated “My Life as Liz” (aired April 29th 2011). He has recently signed with Warner Chappell Publishing and Rough Trade Distribution in Europe.Even with all this success, Shane Alexander is finding the time to help others; he has a huge talent but a big heart to matchit.
Shane Alexander’s current efforts have been directed at raising funds and awareness for the charity Darkness to Light (D2L). This is a cause Shane feels strongly about: “I believe in giving back as much as possible, and to lend my voice to an organization with such a noble mission just felt right. The statistics of childhood sexual abuse are pretty staggering, and Darkness to Light is working so hard to help prevent the suffering that these kids might face. It’s a real privilege for me to be working with such great people.” Shane Alexander was so compelled by what the charity stood for that it inspired him to write this touching and poignant song and to donate proceeds to the charity upon its release. Anne Lee believes that Shane Alexander’s song “has captured the pure essence of childhood that every adult needs to hear.”A portion of the proceeds from Shane’s US summer tour will be donated to the Darkness to Light as well.
Child sexual abuse is regarded as an epidemic. According to statistics from D2L, There are more than 39 million survivors of sexual abuse in America and they estimate that 1 in 4 girls will be sexually abused by the time she is 18. More than 90% of abusers are people children trust love and know.
Darkness to Light was founded in 2000 by Anne Lee, now President and CEO. The ultimate mission of D2L is to end childhood sexual abuse and empower adults through awareness and educational programs to prevent, recognize and react responsibly to childhood sexual abuse. Recently featured in April 4th 2011 issue of People Magazine’s Heroes Among Us, Anne Lee shared her story of abuse and how it led her to launching Darkness to Light. A true “hero among us,” Anne says, “Darkness to Light is honored to have had Shane write this song for our organization and we are excited about his working with us to raise awareness.” Darkness to Light and Shane Alexander are both dedicated to preventing sexual abuse in this lifetime.
To purchase the song please go to
http://www.shanealexandermusic.com/look_out_for_me/sa_d2l.html <http://www.shanealexandermusic.com/look_out_for_me/sa_d2l.html>
Official Video for “Good as Gold”
http://youtu.be/gakxrzDFffI <http://youtu.be/gakxrzDFffI>
Shane Alexander tour dates are as follows for up to the minute info please checkwww.shanealexandermusic.com <http://www.shanealexandermusic.com/>
Archive for May, 2011
Terrence Mallick’s The Tree of Life Wins The Palme D’OR
Sunday, May 22nd, 2011
This year the Palme D’or, the actual award itself, was replaced by this grainy photograph….completely dissapointing the production team behind Terrence Malicks’ “The Tree of Life.” Just kidding. It is the first time in while an American film has won the Palme. Malick was not there to accept….he is very shy.
Palme D’or Winner: THE TREE OF LIFE USA 130 MINUTES
The Tree of Life is the impressionistic story of a Midwestern family in the 1950′s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
Directed by Terrence Mallick
CREDITS
- Terrence MALICK – Director
- Terrence MALICK – Screenplay
- Emmanuel LUBEZKI – Cinematography
- Jack FISK – Set Designer
- Alexandre DESPLAT – Music
- Hank CORWIN – Film Editor
- Jay RABINOWITZ – Film Editor
- Daniel REZENDE – Film Editor
- Billy WEBER – Film Editor
- Mark YOSHIKAWA – Film Editor
ACTORS
- Brad PITT – M. O’Brien
- Sean PENN – Jack
- Jessica CHASTAIN – Mme O’Brien
- Hunter MCCRACKEN – Young Jack
A list of all the awards given out earlier today
FEATURE FILMS
Palme d’Or
THE TREE OF LIFE by Terrence MALICK
Grand Prix BIR ZAMANLAR ANADOLU’DA (Once Upon A Time In Anatolia) by Nuri Bilge CEYLAN
THE KID WITH A BIKE by Jean-Pierre & Luc DARDENNE
Award for the Best Director Nicolas WINDING REFN for DRIVE
Jury Prize POLISS by MAÏWENN
Best Performance for an Actor Jean DUJARDIN in THE ARTIST by Michel HAZANAVICIUS
Best Performance for an Actress Kirsten DUNST in MELANCHOLIA by Lars von TRIER
Award for the Best Screenplay Joseph CEDAR for FOOTNOTE
SHORT FILMS IN COMPETTION
Palme d’Or CROSS-COUNTRY by Maryna VRODA
Jury Prize BADPAKJE 46 (Swimsuit 46) by Wannes DESTOOP
CAMERA D’OR LAS ACACIAS by Pablo GIORGELLI presented in the framework of the the CRITICS’ WEEK
UN CERTAIN REGARD
PRIZE OF UN CERTAIN REGARD Ex-æquo
ARIRANG by KIM Ki-Duk
HALT AUF FREIER STRECKE (Stopped on Track) by Andreas DRESEN
SPECIAL JURY PRIZE ELENA by Andrey ZVYAGINTSEV
DIRECTING PRIZE BÉ OMID É DIDAR (Au revoir) by Mohammad RASOULOF
CINEFONDATION
First Cinéfondation Prize DER BRIEF (The Letter) by Doroteya Droumeva, dffb, Germany
Second Cinéfondation PrizeDRARI by Kamal Lazraq, La Fémis, France
Third Cinéfondation Prize YA-GAN-BI-HANG (Fly by Night) by Son Tae-gyum, Chung-Ang University, South Korea
Cannes Day 10: In Competition: “Pater”
Saturday, May 21st, 2011On Day 10, Yves is disoriented again. Perhaps he is bowing to the muse, or he’s lost a contact lense or both…or he’s hitting the deck to deal with the End of Days, either way, he’s frigging starving..and could defintiely use a crossiant right about now.
IN COMPETION: “PATER” FRANCE 105 MINS
SYNOPSIS: Vincent Lindon and Alain Cavalier are pals. Like father and son. They sip port in bars dreaming of a film they might make. Together.
Then just once in a while, they don suit and tie. Play men of power. See how much trouble they can make. For a laugh. They tell a tall story, that’s part really personal, part, well – just plain tall. Only, as ever at the movies, there’s that excellent question no one can answer: is it really all make-believe?
Related articles
- Cannes Film Festival: Alain Cavalier’s ‘Pater’: Private Musings of a Public Sort (nytimes.com)
- Cannes reviews roundup: Pater/Hanezu (guardian.co.uk)
- Cannes: Films in Competition (screenphiles.wordpress.com)
- Film: Cannes Film Festival: Cannes ’11, day seven: Two days after The Tree Of Life screening, Lars Von Trier issues a rebuttal (avclub.com)
- Cannes film festival live blog: day eight (guardian.co.uk)
Cannes Day 8: In Competition: “Polisse” (Poliss)
Wednesday, May 18th, 2011Francine DiMartine Makes her move…and leaves her hotel room. She can’t escape That 20th Century Fox Feeling….tho she’s defintiely worked out to be quite the 21st Century Fox….:)
In Competition: Polisse (Poliss), France, 127 mins
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- Glamwire Special Note: Ouch.
Synopisis: The daily grind for the cops of the Police Department‘s Juvenile Protection Unit – taking in child molesters, busting underage pickpockets and chewing over relationship issues at lunch; interrogating abusive parents, taking statements from children, confronting the excesses of teen sexuality, enjoying solidarity with colleagues and laughing uncontrollably at the most unthinkable moments. Knowing the worst exists and living with it.
How do these cops balance their private lives and the reality they confront every working day?
Fred, the group’s hypersensitive wild card, is going to have a hard time facing the scrutiny of Melissa, a photographer on a Ministry of the Interior assignment to document the unit.
Related articles
- A Sneak Peak at POLISSE Before Cannes (collider.com)
- Fan Bing Bing at the “Polisse” Premiere at Cannes (stylegurus.wordpress.com)
- Cannes Film Festival: Polisse and Habemus Papam (Review) (popmatters.com)
- Cannes 2011 review: Le Gamin au Vélo/Polisse (guardian.co.uk)
- Parental misguidance at Cannes (arts.nationalpost.com)
Cannes Day 7: In Competition: Habemus Papam
Wednesday, May 18th, 2011A New Zealand based Fotog out of his mind on truly excellent blended protein snaps these pictures on day 7 of the Hunger Striker allegedly indulging in a baguette at a down town Cannes cafe. These images were later admitedly staged with a friend of the Fotog and in fact are not of the Hunger Striker at all.
IN COMPETITION: HABEMUS PAPAM, FRANCE, ITALY 104 mins
Synopsis: Following the death of the Pope, the Conclave meets to elect his successor. A cardinal is chosen who seems unable to bear the weight of such a responsibility. Is it anxiety? Is it depression? Does he feel inadequate?
The faithful are waiting for the new Pope to appear on the balcony in St. Peter’s Square. The world is on tenterhooks, while in the Vatican they seek ways to come through the crisis.
Related articles
- Habemus Papam, We Have a Pope is a run away success at Cannes Film Festival. (primociak.wordpress.com)
- Cheryl Cole: ‘Habemus Papam’ Premiere at Cannes! (justjared.buzznet.com)
- Habemus Papam, We Have a Pope Nanni Moretti (primociak.wordpress.com)
- Cannes review: Habemus Papam (guardian.co.uk)
- Cannes Film Festival: Polisse and Habemus Papam (Review) (popmatters.com)
Cannes Day 6 In Competition: HEARAT SHULAYIM (Footnote)
Sunday, May 15th, 2011Ah, my favorite photo in the ballet, By far. This hangs in my apartment rather large right over a Martin Shoeleher of Bill Clinton (as it should)….I love this image. The film below is called Footnote..which may be the new title of the photo. Its always been called “20th century Fox.”
FOOTNOTE. ISRAEL. 106 Minutes
SYNOPSIS: FOOTNOTE is the story of a great rivalry between a father and son. Both eccentric professors, they have dedicated their lives to their work. The father seems a stubborn purist who fears the establishment. His son, Uriel, appears to strive on accolades, endlessly seeking recognition.
But one day, the tables turn. The two men switch places when the father learns he is to be awarded the most valuable honour one can receive. His desperate need for recognition is betrayed, his vanity exposed. Uriel is torn between pride and envy. Will he sabotage his father’s glory?
FOOTNOTE is the story of insane competition, the admiration and envy for a role model, bringing father and son to a final, bitter confrontation.
Related articles
- Cannes: Films in Competition (screenphiles.wordpress.com)
- A paralyzed Pope and Talmudic thrills (macleans.ca)
- Cannes Film Festival Top Prize Contenders (huffingtonpost.com)
- Cannes Film Festival Announces Official Selection (collider.com)
- Cannes Film Festival: The headline is ‘Footnote,’ now leading my list of Cannes favorites (insidemovies.ew.com)


















