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Archive for March, 2012

Adidas to buy Adams Golf

Monday, March 19th, 2012

PARIS — German sporting goods maker Adidas AG and American golf equipment company Adams Golf, Inc. announced today that the TaylorMade-Adidas Golf subsidiary has entered into a definitive agreement to buy all outstanding shares of Adams Golf for an estimated $70 million.

At $10.80 per share in cash, the transaction represents a premium of about 71 percent to the share price prior to the announcement by Adams Golf on Jan. 4 that it had retained Morgan Stanley to explore strategic alternatives for the group.

“This acquisition reflects our commitment to continued growth in the golf category,” Adidas chief executive officer Herbert Hainer stated. “The proposed combination of Adams Golf and TaylorMade-Adidas Golf brings together two highly complementary sets of brands, combining Adams’ focus on game-improvement as well as senior and women golfers with TaylorMade-Adidas Golf’s focus on the younger and the low-to-mid handicap golfer.”

Barney Adams, interim ceo of Adams Golf, said the company would maintain its headquarters in Plano, Texas. TaylorMade-Adidas Golf is based in Carlsbad, California.

The board of directors of Adams Golf has unanimously approved the transaction. Investors owning around 35 percent of outstanding shares in the company have pledged to vote their shares in favor of the acquisition. The deal is subject to customary conditions and regulatory approvals, and must also be approved by Adams Gold shareholders. It is expected to close mid-year.

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Tod’s Profits Rise :)

Wednesday, March 14th, 2012

MILAN — Tod’s SpA said Tuesday that net profits rose 23.8 percent to 135 million euros, or $187.6 million at average exchange, in the year ended Dec. 31.

Strong gains in Asia and robust growth of the Tod’s brand helped the Italian luxury goods firm report a 13.5 percent rise in sales to 893.6 million euros, or $1.24 billion. The Tod’s label grew 19.8 percent in 2011, reaching revenues of 487.5 million euros, or $677.6 million.

In a separate statement released late Tuesday afternoon, the group said that “following the rumors of an alleged termination of the collaboration between Tod’s and Derek Lam, the company confirms that the agreement between the parties is set to terminate on [Sept. 30, 2012].”

RELATED STORY: Derek Lam Said Separating From Tod’s >>

It said that “in the meantime, Tod’s is in the process of evaluating its options, considering that, based on the company’s future development plans, the role of the creative director of Tod’s will be central and even more important. The choice will therefore be directed toward an individual with great creative talent and able to commit the necessary amount of time to the success of the brand.”

A Milan-based luxury analyst downplayed the change in creative director as “inconsequential. The choice of a known designer is perhaps relevant only at the very beginning.”

Commenting on the outlook for 2012, Diego Della Valle, chairman and chief executive officer, said that, despite the economy, he was “confident that the strength of our brands and the excellent appeal of our products will enable our group to post a significant growth of sales and profits also this year.”

Affected by soft consumer spending in Italy and by its selective distribution, the Hogan brand showed a 4.7 percent increase in revenues to 280.9 million euros, or $390.4 million, last year. The company is pushing Hogan’s expansion internationally, especially in Asia, where it opened its first three stores in China in September.

Also hurt by the weak Italian market, Fay sales dropped 2 percent to 87.8 million euros, or $122 million.

Roger Vivier revenues climbed 67.9 percent to 36.5 million euros, or $50.7 million. In a conference call with analysts, chief financial officer Emilio Macellari said a Vivier store will open in the U.S. in the first half of the year.

Sales of footwear, the group’s core business, rose 14.5 percent to 646.5 million euros, or $898.6 million, followed by leather goods and accessories, which gained 17.6 percent to 144.9 million euros, or $201.4 million. Apparel grew 2.6 percent to 101.6 million euros, or $141.2 million.

All markets posted double-digit growth except for Italy, where sales were up 5.5 percent. “Brilliant results” in Germany, the U.K. and France helped boost revenues in the rest of Europe, which rose 11.2 percent to 182 million euros, or $253 million.

Sales in the U.S. gained 17 percent to 62.4 million euros, or $86.7 million.

Macellari said the group started to sell online on its Web site on Monday. “It’s open to the U.S. market, a test for at least one, maybe two seasons in the U.S. to practice ability with logistics and payments, and [will] go to Europe by the end of the year or in 2013.”

Brick-and-mortar sales in Asia and the rest of world grew 38.1 percent to 199.9 million euros, or $277.8 million, driven by “very strong results” in Mainland China and Hong Kong.

The company had 176 directly operated stores and 70 franchised units at the end of December. Most of the openings last year were in Asia, mainly in Mainland China and in Hong Kong, where the group currently operates 40 directly operated stores.

Macellari said Tod’s in 2012 is “considering” opening 15 to 20 stores, mostly in China; “ a couple in Brazil,” a new market for Tod’s; one in Japan, and two in Korea. These venues will comprise “mostly” Tod’s stores, then Hogan banners and three Roger Vivier units.

In 2011, the group invested a total of 61.9 million euros, or $86 million, including about 20 million euros, or $27.8 million, aimed at the restoration of Rome’s Colosseum.

In 2012, capital expenditures will total between 50 and 60 million euros, or $69.5 million and $83.4 million, including investments in the expansion of Tod’s headquarters and production facilities, said Macellari.

As of Dec. 31, the group had a positive net financial position equal to 110.7 million euros, or $153.8 million, compared with 96.5 million euros, or $134.1 million, at the end of 2010.

Shares closed up 7.17 percent to 84.45 euros, or $110.70 at current exchange.

Christian Dior Fall ’12

Tuesday, March 6th, 2012

In their rather subdued color palette, Christian Dior’s RTW Fall 2012 collection features quite a bit of grey, lavender and mauve, which go well together, as in their color-blocked grey and lavender coat which the model teams with grey leather gloves and a lavender leather belt and taupe suede shoes.

The clutch bag worn for that ensemble featured taupe grey leather, a Karakuli type fur flap and lovely iridescent flowers in cream and blue.  One of the greys in the color-blocked coat was slightly blue as well – it’s all in the details…

In fact, it’s the mixing and matching that is made the various looks they put together for the collection so interesting.  Speaking of interesting and intriguing, Dior’s Creative Director Bill Gaytten was very on-trend with his black combat boots accessorizing his black and navy blue ensemble, his trouser legs scrounged up to expose them.  See him and his lovely creations in my slide show and thanks for reading…

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Versace Fall ’12

Tuesday, March 6th, 2012

Blunt bangs, bleached out brows and full on goth chic attire made for a very Lisbeth Salander-ish collection from Versace at Milan Fashion week. From the moment the first girl stepped out it was clear that the heroine of Stieg Larsson’s trilogy of novels had been re-imagined as a cocktail dress clad girl with a taste for leather.

Adding to the goth goddess getup, cross motifs ran rampant through the collection, silk embroidered, gilded and even embossed into a leather skirt. Although the collection was mostly black loud blasts of acid yellow and orange made occasional appearances which only added to the myriad of unrelated elements in the collection.

A rogue alpaca coat, studded to the hilt leather coats and dresses and Oroton a knights of the round table-like chain mail that Gianni Versace used back in the day also made cameos in show. Donatella’s nostalgia for her own brand did not stop there however, VERSACE was spelled backwards and jumbled of several pieces, embroidered in medieval manuscript.

Paco Rabane was apparently yet another inspiration for the Italian designer as she took quite literal elements from his signature 60’s linked up transparent disks for her evening gowns. Panels of rhodoid (a trade name for a cellulose acetate Plastic) strips matched up with chain mail for evening gowns as well.

Hamish Bowles reviewed the collection for Vogue.com, declaring the dresses “hobbling sheaths that seemed fashioned for a New Age Princess Leia.” We couldn’t not agree more, the loosely plotted collection gave an overall sense of confusion which comes about when a designer tries a bit too hard leaving behind their audience in the wake.

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